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The problem now seems to be my notebook. It is a Vaio but about 3 years old and an AMD chip and it is marginal.
Everything seems very slow and I can't get the playback of the clip to work though it seems to be recording the clips. I think I'll install it on my edit computer and test it there - a 2. If the notebook has to be upgraded, I want to wait as long as possible with the new chips coming out. And if so, what kind of laptop specs would you need at minimum? Like Jerry, I'd like to buy a new laptop that can handle hdvrack realtime, but I am not sure if those are already within reach You have control over the frame rate and resolution.
Adjusting these three settings lets you "tune" display quality to get the most out of the system without maxing out the CPU, which results in artifacting and dropped frame. Note that these settings affect only what you see when monitoring; the full HDV stream is recorded regardless. We did not build a super-system to see what was possible. With a 3. Full because the Field Monitor is much smaller than the HD frame.
The difference will only become apparent when you use the zoom feature in the Field Monitor. With something down in the 2 GHz neighborhood, you'll need to keep both framerate and resolution throttled back when recording.
Our beta testers who ran with those settings reported that the results were entirely acceptable. You specifically ask about monitoring HDV. If that's all you'll be doing i. If I could do the last, wonderful.
If I can't trust the HDV that I'm capturing to hard drive, then I would only use the monitor feature and record avi or quicktime so I could play clips back for the talent, etc. My main interest is in feature length productions. So I guess my question is, "Can I trust getting good enough captures to use and have tape as a backup?
I think it's clear what he's saying is, regardless of what you see on the monitor HDV Rack is saving the file without error. The monitoring is just a preview of what you're getting. If the preview is studdering because your system is too slow, you're still saving an uncorrupted HDV file. And that for the purposes of previewing the incoming data stream, you can either choose, full speed video or full res video but no system is currently able to handle both. But the HDV stream you're saving on the drive is full res and fullspeed.
That about right Mark? DV Rack always records the full video stream. Nothing that you do in DV Rack has any effect on what is recorded. If you do a few test recording and play with different combinations of throttle settings while watching your CPU usage through Task Manager , you will quickly determine which combination gives you safe CPU headroom.
As long as you stick with a "safe" combination while recording, you can be confident that you'll get intact recordings. I'm lobbying for the implementation of what we could term an auto-throttle that would monitor CPU usage--if it exceeds a threshold setting, then the program would automatically reduce one or more of the throttle settings.
Think of it as overdraft protection. I'd be interested in whether customers would find that a desirable feature. Mi culpa. I didn't read your message well enough and skimmed over "the full HDV stream is recorded regardless" the first time. There is another "problem" I forgot to mention, and from what you are saying the throttle is the problem there also -- there is a terrific lag time between what the camera is seeing and what the Rack monitor shows.
A person can walk in, sit in a chair the camera is focused on and Rack will be showing an empty chair for several seconds before the person appears in the monitor. I'll try resetting things and let you know how it goes. If you're using an FX1 the firewire is about a 2 second delay, I think the Z1 has more of realtime firewire transfer.
Actually, they are the same, a 2 set of GOP behind. Due to the M2T decode, it's not realtime from any camera. Although it seems a little squirrelly at first, you get used to it really fast, and other than doing a rack focus, it won't bother you, or rather, it doesn't bother me. Ahh, I was going off this chart which probably came out before the camera was actually in hand. You are back DSE. It takes a little getting used to in terms of the latency of the m2t stream, but unless Serious Magic partners with a laptop video card company to decode the stream via hardware Once you get past the latency, it's very useful.
The FAQ at SeriousMagic mentions that only one firewire signal can be monitored at a time, but it's not clear if only one signal can be recorded at a time.
Windows cannot split the m2t streams intelligently, therefore HDV Rack can't know which camera to get what signal from. They also say you can't stack a drive and DV Rack at the same time, but I've done that too. I think they're looking to reduce tech support calls; that's what I'd do. No on both counts. We've had several requests for the ability to record a separate audio stream, so that will be a strong candidate to be among the features in the next major version we release.
While DV Rack does allow you to switch among as many cameras as you can connect to your computer each on its own FireWire bus , you can record only one at a time, and you cannot switch sources while recording. We're looking into the feasibility of recording multiple video streams simultaneously, but from what I understand there are hardware limitations that make it impracticle with current hardware. A very informative thread. DSE and Mark A quick question if I may. I was wondering what main differences between the HDV and SD versions as far as color correction goes?
If I don't have to deal with the latency issue, I would prefer not to. Thanks in advance. Ed, What do you mean by "color correction"? I normally think of color correction as affecting the recorded content or the output of an NLE, compositing program, etc.
But then I'm still a relative novice in the video field, so my concept of the term may be too narrow. In any case, let's be clear that DV Rack doesn't do anything that affects the recorded content. I don't have the experience with "real" hardware monitors to offer an opinion on how DV Rack compares, but I will point out that if you're hardware monitor is taking its feed from the camera's S-Video output, then it's showing you the uncompressed image; in this regard DV Rack is superior because it's showing you how the image looks after being compressed and decompressed just as it will be regardless of whether you're recording to tape or direct to disk.
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