Sunset blvd torrent

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Reviewer: dysprosium - favorite favorite favorite favorite favorite - October 13, Subject: A Must Watch! The use of actors portraying actors, drectors portraying theselves, was a really nice touch. The story is sad, moving, powerful. In fact, it is often possible to cite a song from his earlier works he's rewritten here. Lloyd Webber does evoke Hollywood movie music with one of his recurring themes, and "Let's Have Lunch" is set to a period swing band arrangement.

But much of the music is essentially recycled. Happily, the singing actors are excellent, starting with Anderson, who is really the central figure, despite the hoopla surrounding the character of Norma Desmond, the aging movie queen.

Anderson's Gillis is not just a musical version of the Holden portrayal; he has a little less of Holden's hard edge, a little more sympathy for the other characters. But he is just as hard on himself. In secondary parts, Meredith Braun and Daniel Benzali are equally impressive.

But her acting, documented on a double album full of dialogue, also comes across well, as she fills out the character of Norma Desmond. Again, her portrayal is not simply a singing Gloria Swanson, her film predecessor, but a completely realized, personal portrayal of the deluded star who actually does become at least a little sympathetic by the end.

The cast is enough to partially mask Sunset Boulevard's status as second-drawer Lloyd Webber. AllMusic relies heavily on JavaScript. Please enable JavaScript in your browser to use the site fully.

Blues Classical Country. Electronic Folk International. Jazz Latin New Age. Aggressive Bittersweet Druggy. Energetic Happy Hypnotic. Romantic Sad Sentimental. Sexy Trippy All Moods. Drinking Hanging Out In Love. Hotly pursued by repo men, impoverished, indebted "boy wonder" screenwriter Gillis ducks into the garage of an apparently abandoned Sunset Boulevard mansion.

Wandering into the spooky place, Joe encounters its owner, imperious silent star Norma Desmond Gloria Swanson. Upon learning Joe's profession, Norma inveigles him into helping her with a comeback script that she's been working on for years. Joe realizes that the script is hopeless, but the money is good and he has nowhere else to go. Soon the cynical and opportunistic Joe becomes Norma's kept man.

While they continue collaborating, Norma's loyal and protective chauffeur Max Von Mayerling played by legendary filmmaker Erich von Stroheim contemptuously watches from a distance. More melodramatic than funny, the screenplay by Wilder and Charles Brackett began life as a comedy about a has-been silent movie actress and the ambitious screenwriter who leeches off her.